If you have always wanted to improve your trumpet playing especially upper register and high notes, please CLICK HERE or call Kurt Thompson, Professional Trumpeter and Specialist in Teaching trumpet lessons in a private setting or anywhere in the world via Skype or Phone: 415-832-9789


A Trumpeter is different than many musicians!

For example, imagine a piano player. He/She looks at their music and finds a bunch of fast moving high notes. Is this piano player worried? Of course not. All the notes, low notes, middle notes, and high notes, and even very extreme high notes are just a finger tip away.
Contrast this with Playing Trumpet! The higher you go on the trumpet, the increase in energy demand! You don't just press down a valve or button and the Double C pops out!
The high note or upper register appears almost in the same way an extremely heavy weight is lifted....exertion, strength, and focus



CHET BAKER (above) demonstrates cool and chill jazz on trumpet...bursting with style and mood! It is very hard to resist listening to and liking CHET BAKER.



 

Notes from Wikipedia:


Chet Baker, Trumpeter

From Wikipedia, the free encyclopedia

Chet Baker

 

Chet Baker, 1983.

Background information

Birth name          Chesney Henry Baker, Jr.

Born      December 23, 1929

Yale, Oklahoma, U.S.

Died       May 13, 1988 (aged 58)

Amsterdam, Netherlands

GenresWest Coast Jazz

Occupations       Trumpeter

Jazz singer

Instruments       Trumpet

Vocals

Flugelhorn

Piano[1]

Years active        1949–1988[2]

Associated actsGerry Mulligan

Art Pepper

Chesney Henry "Chet" Baker, Jr. (December 23, 1929 – May 13, 1988) was an American jazz trumpeter, flugelhornist and singer. Though his music earned him a large following (particularly albums featuring his vocals, such as Chet Baker Sings), Baker's popularity was due in part to his "matinee idol-beauty" and "well-publicized drug habit."[3] He died in 1988 in Amsterdam, Netherlands.[4]

Contents 

1 Biography

1.1 Early days

1.2 Career breakthrough

1.3 Drug addiction and decline

1.4 Comeback and later career

2 Death

3 Legacy

4 Honors

5 Discography

6 References

7 External links

]Biography

 

Early days

Baker was born and raised in a musical household in Yale, Oklahoma; his father was a professional guitar player. Baker began his musical career singing in a church choir. His father introduced him to brass instruments with a trombone, which was replaced with a trumpet when the trombone proved too large.

Baker received some musical education at Glendale Junior High School, but left school at age 16 in 1946 to join the United States Army. He was posted to Berlin where he joined the 298th Army band. Leaving the army in 1948, he studied theory and harmony at El Camino College in Los Angeles. He dropped out in his second year, however, re-enlisting in the army in 1950. Baker became a member of the Sixth Army Band at the Presidio in San Francisco, but was soon spending time in San Francisco jazz clubs such as Bop City and the Black Hawk. Baker once again obtained a discharge from the army to pursue a career as a professional musician.

Career breakthrough

Baker's earliest notable professional gigs were with saxophonist Vido Musso's band, and also with tenor saxophonist Stan Getz, though he earned much more renown in 1951 when he was chosen by Charlie Parker to play with him for a series of West Coast engagements.[5]

In 1952, Baker joined the Gerry Mulligan Quartet, which was an instant phenomenon. Several things made the Mulligan/Baker group special, the most prominent being the interplay between Mulligan's baritone sax and Baker's trumpet. Rather than playing identical melody lines in unison like bebop giants Charlie Parker and Dizzy Gillespie, the two would complement each other's playing with contrapuntal touches, and it often seemed as if they had telepathy in anticipating what the other was going to play next. The Quartet's version of "My Funny Valentine", featuring a memorable Baker solo, was a major hit, and became a song with which Baker was intimately associated.

The Quartet found success quickly, but lasted less than a year because of Mulligan's arrest and imprisonment on drug charges. In 1953, Pacific Jazz released Chet Baker Sings, a record that increased his profile but alienated traditional jazz fans; he would continue to sing throughout his career. Baker formed quartets with Russ Freeman in 1953-54 with bassists Carson Smith, Joe Mondragon, and Jimmy Bond and drummers Shelly Manne, Larry Bunker, and Bob Neel. The quartet was successful in their three live sets in 1954. In that year, Baker won the Downbeat Jazz Poll. Because of his chiseled features, Hollywood studios approached Baker and he made his acting debut in the film Hell's Horizon, released in the fall of 1955. He declined an offer of a studio contract, preferring life on the road as a musician. Over the next few years, Baker fronted his own combos, including a 1955 quintet featuring Francy Boland, where Baker combined playing trumpet and singing. He became an icon of the West Coast "cool school" of jazz, helped by his good looks and singing talent. Baker's 1956 recording, released for the first time in its entirety in 1989 as The Route, with Art Pepper helped further the West Coast jazz sound and became a staple of cool jazz.

Drug addiction and decline

Baker was a heroin user from the 1950s for the remainder of his life, and eventually saw his musical career decline as a result. At times, Baker pawned his instruments for money to maintain his drug habit. In the early 1960s, he served more than a year in prison in Italy on drug charges; he was later expelled from both West Germany and the UK for drug-related offenses. Baker was eventually deported from West Germany to the United States after running afoul of the law there a second time. He settled in Milpitas in northern California where he played in San Jose and San Francisco between short jail terms served for prescription fraud.[4]

In 1966, Baker was savagely beaten (allegedly while attempting to buy drugs) after a gig in San Francisco, sustaining severe cuts on the lips and broken front teeth, which ruined his embouchure. He stated in the film Let's Get Lost that an acquaintance attempted to rob him one night but backed off, only to return the next night with a group of several men who chased him. He landed finally in a car where he was surrounded. Instead of rescuing him, the people inside the car pushed him back out onto the street where the chase by his attackers continued, and subsequently, he was beaten to the point that his teeth, never in good condition to begin with, were knocked out, leaving him without the ability to play his horn. He took odd jobs, among them pumping gas. Meanwhile he was fitted for dentures and worked on his embouchure. Three months later he got a gig in New York.

Between 1966 and 1974, Baker mostly played flugelhorn and recorded music that could mostly be classified as West Coast Jazz.[4]

Comeback and later career

After developing a new embouchure resulting from dentures, Baker returned to the straight-ahead jazz that began his career, relocating to New York City and began performing and recording again, notably with guitarist Jim Hall. Later in the seventies, Baker returned to Europe where he was assisted by his friend Diane Vavra, who took care of his personal needs and otherwise helped him during his recording and performance dates.

From 1978 until his death, Baker resided and played almost exclusively in Europe, returning to the USA roughly once per year for a few performance dates. Baker's most prolific era as a recording artist was 1978-88. However, as his extensive output is strewn across numerous, mostly small European labels, none of these recordings ever reached a wider audience, even though many of them were well-received by critics, who maintain that the period was one of Baker's most mature and rewarding. Of particular importance are Baker's quartet featuring the pianist Phil Markowitz (1978–80) and his trio with guitarist Philip Catherine and bassist Jean-Louis Rassinfosse (1983–85). He also toured with saxophonist Stan Getz during this period.

In 1983, British singer Elvis Costello, a longtime fan of Baker, hired the trumpeter to play a solo on his song "Shipbuilding", from the album Punch the Clock. The song was a top 40 hit in the UK, and exposed Baker's music to a new audience. Later, Baker often featured Costello's song "Almost Blue" (inspired by Baker's version of "The Thrill Is Gone") in his live sets, and recorded the song on Let's Get Lost, a documentary film about his life.

The video material recorded by Japanese television during Baker's 1987 tour in Japan showed a man whose face looked much older than he was; but his trumpet playing was alert, lively and inspired. Fans and critics alike agree that the live album Chet Baker in Tokyo, recorded less than a year before his death and released posthumously, ranks among Baker's very best. "Silent Nights", another critically acclaimed release, and Baker's only recording of Christmas music, was recorded with Christopher Mason in New Orleans in 1986 and released in 1987.

Chet Baker's compositions included "Chetty's Lullaby", "Freeway", "Early Morning Mood", "Two a Day", "So Che Ti Perderò" ("I Know I Will Lose You"), "Il Mio Domani" ("My Tomorrow"), "Motivo Su Raggio Di Luna" ("Tune on a Moon Beam"), "The Route", "Skidadidlin'", "New Morning Blues", "Blue Gilles", "Dessert", and "Anticipated Blues".

Death

 

At about 3:00 am on May 13, 1988, Baker was found dead on Prins Hendrikkade, near Zeedijk, on the street below his second-story room (Room 210) of Hotel Prins Hendrik in Amsterdam, Netherlands, with serious wounds to his head. Heroin and cocaine were found in his hotel room, and an autopsy also found these drugs in his body. There was no evidence of a struggle, and the death was ruled an accident.

Baker's body was brought home for interment in the Inglewood Park Cemetery in Inglewood, California. A plaque outside the Hotel Prins Hendrik now memorializes him.

Legacy

 

 

 

Plaque in Amsterdam

Jeroen de Valk has written a biography of Baker which is available in several languages: Chet Baker: His Life and Music is the English translation, Chet Baker: Herinneringen aan een lyrisch trompettist (remembrances of a lyrical trumpet player) is the Dutch edition (updated and expanded in 2007),[6] and it is also published in Japan and Germany. James Gavin has also written a biography: Deep In A Dream — The Long Night of Chet Baker. Baker's "lost memoirs" are available in the book As Though I Had Wings, which includes an introduction by Carol Baker.[4]

Baker was immortalized by the photographer William Claxton in his book Young Chet: The Young Chet Baker. An Academy Award-nominated 1988 documentary about Baker, Let's Get Lost, portrays him as a cultural icon of the 1950s, but juxtaposes this with his later image as a drug addict. The film, directed by fashion photographer Bruce Weber, was shot in black-and-white and includes a series of interviews with friends, family (including his three children by third wife Carol Baker), associates and women friends, interspersed with film from Baker's earlier life, and with interviews with Baker from his last years.

Time after Time: The Chet Baker Project, written by playwright James O'Reilly, toured Canada in 2001 to much acclaim.[7] The musical play Chet Baker - Speedball, explores aspects of his life and music, and was premiered in London at the Oval House Theatre in February 2007, with further development of the script and performances leading to its revival at the 606 Club in the London Jazz Festival of November 2007.

Baker was reportedly the inspiration for the character Chad Bixby, played by Robert Wagner in the 1960 film All the Fine Young Cannibals. Another film, to be titled Prince of Cool, about Baker's life, was cancelled as of January 2008.[8]

Honors

 

In 1987 he was inducted into the Big Band and Jazz Hall of Fame.

In 1989 he was elected to Down Beat Jazz Hall of Fame by that magazine's Critics Poll.

In 1991 he was inducted into the Oklahoma Jazz Hall of Fame.

In 2005 Oklahoma Governor Brad Henry and the Oklahoma House of Representatives proclaimed July 2 as “Chet Baker Day”.

Other Notable Trumpeters:

Vitin Paz

Bill Adam

Maurice André

Ryan Anthony

Ole Edvard Antonsen

Jean Baptiste Arban

Sir Malcolm Arnold

Alison Balsom

Marco Blaauw

Edward Carroll

Herbert L. Clarke

Kevin Cobb

Kristjón Daðason

Allan Dean

Timofei Dokschitzer

Niklas Eklund

Dennis Ferry

Merri Franquin

Thomas Gansch

Armando Ghitalla

Claude Gordon

Ludwig Guttler

Håkan Hardenberger

Adolph "Bud" Herseth

David Hickman

Matthias Höfs

Harry James

Christopher Jones

Philip Jones

Frank Kaderabek

Richard Kelley

Uwe Köller

Marcel LaFosse

Manny Laureano

Jens Lindemann

Jessica Long

John MacMurray

Christopher Martin

Malcolm McNab

Rodney Mack

Georges Mager

Albert Mancini

Veniamin Margolin

Wynton Marsalis

Mauro Maur

Rafael Mendez

John Miller

Ennio Morricone

Maurice Murphy

Sergei Nakariakov

John Rommel

Michael Sachs

Adolf Scherbaum

Charles Schlueter

Gerard Schwarz

Jeffrey Segal

Philip Smith

Nick Smith

Marie Speziale

Thomas Stevens

Markus Stockhausen

Robert Sullivan

Edward Tarr

Guy Touvron

William Vacchiano

Allen Vizzutti

René Voisin

Roger Voisin

John Wallace

Roger Webster

James R. West

Anton Weidinger

Greg London

[edit]Jazz and commercial players

 

Greg Adams

Nat Adderley (1931-2000)

Red Allen (1906-1967)

Herb Alpert (b. 1935)

William "Cat" Anderson (1916-1981)

Harry James Angus (b. 1982)

Louis Armstrong (1901-1971)

Chet Baker (1929-1988)

Michael "Flea" Balzary

Brandon Barnes

Guy Barker

Bix Beiderbecke

Wayne Bergeron

Bunny Berigan

Terence Blanchard

Buddy Bolden

Jean-Claude Borelly

Chris Botti

Lester Bowie

Rick Braun

Randy Brecker

Till Brönner

Ray Brown

Miroslav Bukovsky

Billy Butterfield

Donald Byrd

John Carisi

Ian Carr

Benny Carter

Bill Chase

Doc Cheatham

Don Cherry

John Christianson

Buck Clayton

Gracie Cole

George "Kid Sheik" Cola

Bill Coleman

Zach Condon

Alex Cross

Ted Curson

Dick Cuthell

Wallace Davenport

Miles Davis

Kenny Dorham

Phil Driscoll

Dave Douglas

Johnny Dunn

Jon Eardley

Harry "Sweets" Edison

Roy Eldridge

Don Ellis

Ziggy Elman

Howard Evans

Jon Faddis

Art Farmer

Maynard Ferguson

Tony Fruscella

Chuck Findley

John "Dizzy" Gillespie

Clifford Brown

George Girard

Volker Goetze

Jerry Gonzalez

Dusko Goykovich

Conrad Gozzo

Bobby Hackett

Tim Hagans

Roy Hargrove

Michael Harris

Tom Harrell

Jon Hassell

El Hefe

Dana Heitman

Johnny Helms

Arve Henriksen

Al Hirt

Arnett Howard

Freddie Hubbard

Jeff Hughes

Roger Ingram

Don Jacoby

Harry James

Ingrid Jensen

Bunk Johnson

Jonah Jones

Sean Jones

Thad Jones

Freddie Keppard

Manny Klein

Scott Klopfenstein

Tommy Ladnier

Yank Lawson

Booker Little

Lee Loughnane

Brian Lynch

Michael Lyman

Wingy Manone

Chuck Mangione

Wynton Marsalis

Hugh Masekela

Jesse McGuire

Mickey McMahan

Rafael Méndez

Bubber Miley

Punch Miller

Blue Mitchell

Lee Morgan

Bobby Hackett

James Morrison

Fats Navarro

Red Nichols

Joe "King" Oliver

Jeff Oster

Kye Palmer

Nicholas Payton

Mark Pender

Marvin Peterson

Herb Pomeroy

Louis Prima

Gerard Presencer

Yoshimi P-We

Dizzy Reece

Cynthia Robinson

Claudio Roditi

Lior Ron

Wallace Roney

Rashawn Ross

Alan Rubin

Kermit Ruffins

Chase Sanborn

Arturo Sandoval

Carl Hilding "Doc" Severinsen

Manfred Schoof

Charlie Shavers

Woody Shaw

Bobby Shew

Jabbo Smith

Wadada Leo Smith

Lew Soloff

Muggsy Spanier

Terell Stafford

Tomasz Stanko

Rex Stewart

Tony Terran

Clark Terry

Kurt Thompson

Andrea Tofanelli

Charles Tolliver

Erik Truffaz

Cuong Vu

Kid Thomas Valentine

Allen Vizzutti

Derek Watkins

Tavis Werts

Kenny Wheeler

Pharez Whitted

Cootie Williams

Johnny Zell

Seth Housley

Jaicee Larson


The Trumpet is a great instrument whether jazz trumpet or solo trumpet,  but requires a very strong embouchure. What kind of trumpet notes require this type of strong embouchure? High C, Double C, and Triple C all would require a strong embouchure to play these high trumpet notes.  A trumpeter must take trumpet lessons to increase skill level. Trumpeters like Maynard Ferguson playing the trumpet solo, Give It One, and Bill Chase playing the trumpet solo, Get It On, had a very strong trumpet embouchure. Trumpets are made out of brass and make a beautiful sound when used in trumpet songs. James Last Orchestra also featured many fine trumpet players. This site has trumpet tips, trumpet websites, sites, and trumpet lessons.